Sound and Music for Artists
Aideen Doran - Women sitting at the Machine, Thinking (Talbot Rice, 2020) - Mixing, Additional Editing.
Hardeep Pandhal — Confessions of a Thug: Pakiveli (Tramway, 2019) - Sound Recording, Mixing.
Charlotte Prodger — SAF05 (Venice Biennalle, 2019) - Instrument Sound recording.
Georgia Horgan — Dear Barb (Jerwood, 2018) - Sound Recording.
Gas Tower – What's with all this emotional? (Glasgow International, 2018) - Sound Recording.
Lucy Duncombe – Pop Ago (Counterflows, 2018) - Co-Development, Arrangement.
Hardeep Pandhal – Pool Party Pilot Episode (New Museum Triennial, 2018) - Original Music, Sound Recording.
Hardeep Pandhal – Konfessions of a Klabautermann (Berwick Film Festival, 2017) - Original music, Sound Recording, Mixing, Live Performance.
Charlotte Prodger – LHB (Berwick Film Festival, 2017) - Voice Over Recording.
Rob Churm – Parasite Rex (CCA, 2017) - Original Music, Audiovisual Installation.
Hardeep Pandhal – The Rebirth of Sacred Cow Mixtape Trailer (Tanya Leighton, 2017 / Cubitt 2018) - Original Music, Recording, Mixing.
Hardeep Pandhal – Nightmare on BAME Street (Eastside Projects, 2017) - Mixing, Sound Design.
Kathryn Elkin – Television (CCA, 2016) - Original Music, Sound Design, Sound Recording.
Gas Tower – How When The Where (Glasgow International, 2016) - Original Music, Sound Design, Sound Recording, Editing, Mixing.
Kathryn Elkin – Why La Bamba? (CCA Derry~Londonderry, 2015) - Sound Recording, Editing and Mixing.
Rob Churm – Imaginary Magnitude (Glasgow Project Room, 2015) - Original Score, Sound Recording, Foley, Editing, Mixing, Devising.
Annabel Frearson – Justine Time By Lake / The Panegyric and the Into-Face (2014) - Original Composition, Editing, Sound Design.
Annabel Frearson – Bad Brain Call (Xero, Kline & Coma, 2012) - Album of original compositions derived from Annabel's original texts.